Jeff Staple on 'The Accident'
Jeff Staple, Founder and Creative Director of Staple Design and Reed Space, talks about his "accidental" career path. Jeff went from hand-silkscreening tee-shirts in school to heading a global design, consulting, apparel and retail operation in 11 years—On his own terms. He speaks to us about lessons learned and knowledge gained in the process.
Rob Campbell on How Creativity Can Liberate Business
Rob Campbell (Sunshine/M&C Saatchi) explains why he believes the future of brands is about creating fate - not advertising. Claiming that ad agencies don’t know the difference between an idea and an “ad” idea, Rob describes why true creativity is more cost effective than common philosophies of formal research & development, distribution and brain-washing media spend.
Rob explains why companies who are looking for the ’single insight’ are wasting their time and that companies who understand people and culture - not category - and who have a way to transform it into something that is motivating, will ultimately win.
Charles Ogilvie on Look & Feel
Charles Ogilvie (Panasonic), Creative Designer and Inventor of RED, the award winning in-flight entertainment system for Virgin America, speaks about service innovation, new revenue models, and the use of airborne technology throughout Asia and the world at large.
From the drab grey seats and drop down projectors of just ten years ago, Charles describes the process he and his team went through when challenged by Richard Branson to figure out “What’s next in aviation?”
Interestingly, Charles explains that in addition to personal entertainment systems, mood lighting, and all the wizzy-wig technological concepts being tossed around, Asian airlines in particular may actually excel best on a service level. Where rules regarding uniforms or service mentality have traditionally held back American companies, Charles encourages any business operating in Asia to take advantage of all that is possible.
Asian Youth Trends
Piers Fawkes (PSFK) moderated a panel discussion about youth culture trends in Asia and how they will impact business around the globe. With the help of trends experts from across the continent, including Achara Masoodi (Mindshare), Michael Keferl (CScout), and Sonal Dabral (Bates141), the panel shares insights and advice about gathering trends, and more importantly, how to best use them to stimulate change.
Piers Fawkes on The Creator Class
Piers Fawkes (PSFK) explains how an emerging class of creators is developing that inspire and challenge the way we work today. He describes the intricate relationship between creators, the community, and modern companies - and how we can react and adapt to be part of this new movement.
The Creator Class Panel
At the PSFK Conference Asia 2008, Piers Fawkes (PSFK) sat down with leading experts in Asia’s creative community to explore the emergence of a new generation of multi-skilled creative minds. These young individuals feel they can turn their hand to multiple product and service offerings, often challenging they way established industries operate.
Focusing on how this ‘creator class’ leverage the internet to hone their skills and market themselves to a greater audience, the panel, including Brian Tiong (B-Side), Paul Tan (POOL/AWE50ME), and Jason Anello (Yahoo!), explore how agencies and companies can collaborate with this unique group of talented individuals.
China & Identity
Floydd Wood and Jerry Clode (Flamingo International) look at the specific ways Chinese youth are creatively re-working their identity - an emerging trend vital to those wanting to address this demographic on their own terms.
Focusing on 'retro' and 'youth identity,' the two researchers explain how Chinese youth are re-interpreting their past to construct new identities. Drawing upon historical events and traditional lifestyles for inspiration, today's youth are carefully extracting aspects of the their past to form their own identity. But as Jerry states, "looking back [in China] is not always a comfortable process. Tumultuous events like The Great Leap Forward, the demographic effect of the one-child policy, and the current economic and social transformation have all contributed to influencing a unique group of young people who are delicately balancing an enormous sense of national pride with a growing influx of global culture.
Nick Barham on the Chinese Middle Class
Nick Barham (Wieden Kennedy, Shanghai) explores the anxiety, opportunity and extravagance of the Chinese middle class. Deliberately not speaking about the "Olympics, the Dali Lama, Tibet, the earthquake, their amazing economic growth, or all the reason why the West is scared or worried about China growing," Nick focuses on the aspirations of China's middle class and the broader social changes that are happening at that level.
Noting that the number of new credit cards issued in China jumped from 3 million in 2003 to 90 million in 2007, Nick describes how the middle class are embracing the growing pains of achieving their middle class dream. He explains how the word "nu," which literally means slave, has been re-appropriated by white-collar middle class individuals to refer to themselves - people, who through credit card payments, mortgages, and car payments, use the term in a positive light to assert control over their life and associate themselves with this growing middle class.
He also discusses how the middle class are 'under pressure.' both on a city level, due to the shear number of inhabitants and the speed at which that's growing, but how the people themselves are also under growing pressure to perform and keep up with all the changes that are occurring.
Make It With Us
Colin Nagy (Attention!) interviewed social media/grassroots expert Andrew Hoppin (NASA) and noted architect Mark Dytham (Klein-Dytham/Pecha Kucha Night) on the subject of collaboration.
To get the ball rolling, Mark Dytham demonstrated the format of a Pecha Kucha presentation - a ’show and tell’ slide show where individuals present a topic of their choice and are restricted to telling their story with only 20 images, each shown for 20 seconds - a primer to his topic for the panel: the evolution of Pecha Kucha Nights.
Andrew Hoppin then took the stage to explain how NASA is trying to re-invent itself by engaging their community through everything from virtual meetings and co-working events to robots and raves.
Following their Pecha Kucha presentations, both speakers sat down with Colin Nagy to explore the nuances of collaborative co-working and how companies and institutions can benefit from engaging their audience, staff, partners and the community to drive innovation.
Daryl Arnold on the Digital Mainstream
Daryl Arnold (Profero, Tokyo) explains what the billions of mainstream people are doing everyday on the net, what the secret is behind selling normal stuff to ordinary people, and offers digital experiences for cornflake eaters from around the globe to prove that mainstream really isn't a dirty word.
- PSFK CONFERENCE ASIA 2008 VIDEOS
- POOL at Republic Polytechnic, Singapore
As part of RP's Marketing Week, POOL members drop by the campus to spread the AWE50ME word on the 5th 'P' and the meaning of Brands in the life of communities.
VENUE: Republic Polytechnic, Singapore
Love the poster!
- Asian Youth Cultural Experts Discussion - FLAMINGO interviews POOL -
Excerpts from the Flamingo interview with Brian Tiong and Paul Tan from POOL.
June 4, 2008
FLAMINGO: Can you give us your personal general perspective on Asian Youth behavior and trends? Are there any overarching themes or frameworks that come up?
Paul Tan from POOL with a few words:
PT: Generally, like any generation past and future, youth behavior and trends today stem from alternative culture, a peripheral reaction to popular culture – Look, Learn, Modify and Create. Just like a tent – individual structures or communities starting at base ground level which is the internet and meeting at a peak. This peak is where all youth behavior and trends converge in one big inter-section.
The RIGHTCLICKA Project is a good example to illustrate this view. Starting out at a ground level no frills mixtape blog because of the lack of access to good music, gathering an opinionated community as it grew and converging in the big inter-section of pop culture where it has influenced the creation of many other Singapore music blogs or groups to distribute ‘mixtapes’. You will find many interlinked communities both local and global promoting their music through ‘mixtapes’ on the internet today, especially in social networks such as Facebook.
The original mixtape blog:
www.rightclickamix.com
Other mixtape blogs or groups today:
www.rawjak.mypodcast.com
www.themixtape.mypodcast.com
FLAMINGO: Attitudes of Asian youth vs Western?
PT: Both share the same attitudes. I call this ‘Designer Socialism’, “A Left sensibility, purged of puritanical austerity and fear of pleasure, attracted to stylish made things but vigilant about being hoodwinked or exploited.” – Taking issues, ideas and concepts into their own hands and openly flaunting them in blogs and social networks, gathering like-minded allies or a community in the process.
A good slice of this attitude can be viewed at www.awe50me.com
FLAMINGO: What are the inter-relationships, within friendship circles / professional circles; family, religion etc…
PT: All online communities are interlinked with each other. Be it fashion dictating music or music dictating fashion, it all functions as one big community of friends, professional relationships and common interest – The source is open to all who connect with each other. This only happens because technology has allowed us to reach out more people than we could ever have imagined.
Family and religion are left in the cave unless you utterly believe that youths listen to their parents and religion, and if they do, you will be able to find them in their respective communities.
FLAMINGO: In particular what large trends do you see going on now, or what do you feel is ‘on the horizon’?
PT: The next big wave will happen when communities evolve into mini-corporations or agencies like www.awe50me.com This Tsunami is on the horizon and is gathering power as it approaches. Once it hits, it will blow everything away and force us to rethink all our strategies. After which the cycle will begin again with an alternative ripple.
FLAMINGO: Would you be able to sum Asian Youth culture in a few words or a sentence?
PT: Independently Modified Nations
Brian Tiong from POOL with a few words:
BT: Youth in SEA are obviously very different in terms of language, family, religion, ethnicities but looking at specific sub culture segments like music, design and the work we do with the RightClickA project, it seems that there is a common tread with trends in the music space in and many similarities between the western and Asian youth culture. We find similar results in AWE50ME our interviews with opinion leaders our social network for creative talent across Asia. The Internet has managed to connect these like minds together based on their interests irrespective of where they come from.
With the Internet, we have a common platform, Asian and western youth culture have an equal opportunity to reach a global audience. People are self aggregating in communities. We just have to watch these communities to understand what’s coming up next. Look at the online gaming scene, its huge in Asia.
Asian Youth culture & its sub culture will be very much bigger than its western cousins. Just look at Asia now (esp – China) now and how fast its growing on the Internet. The kids are creative and hungry and this kind of hunger creates sub culture and these sub cultures are the seeds of trends.
FLAMINGO: Any large trends that you see in relation to Asian youth and the digital world, or online activity? What are they?
PT: Any technology that allows youths to communicate and function more socially with each other will be a trend because of its utility. Be it small or large, they all contribute to the bigger picture. Social Networks, Bulletin Boards, Chat, Widgets, Blah, Blah, Blah…they are all happening and being created at a breakneck speed because there is a huge want to get with each other. COMMUNITY is the largest youth movement today.
FLAMINGO: Why do you think the internet is such an important resource for Asian Youth?
PT: The internet is less an important resource but more of a natural thing for Asian Youths because they were born into it. It is their state of being.
How else can you express yourself to the world so quickly? Where else would you go to access everything and anything? Where else would you go to find a hundred million like-minded youths? If they can’t find it, they’ll be able to create it online.
FLAMINGO: If the internet is indeed an important resource for Asian youth, how do we see this manifested - what are the main ways in which we see this? Any specific country / regional examples?
PT: We see an ocean of social networks and their clones out there catering specifically to Asian youths. A good example is the social network, Friendster. It is now available in English, Chinese, Malay, Vietnamese, Korean, Japanese, Bahasa Indonesian and Spanish.
FLAMINGO: What about blogs? Any initial thoughts? How have they changed the digital youth landscape?
PT: Blogs have been around since desktop publishing in the 90s. They have and still do, provide a space for self-expression. For the youths of today, because HTML is so basic to them and because blogs have evolved and become so easy to put up that even a one-eyed child with 1 finger can publish, it is the quickest and still the trendiest way to say who you are and what you think. Even social networks such as Myspace and Facebook provide blogging functions.
FLAMINGO: Do you think that Asian Youth would use blogging or social forums as platforms through which to express a deeply personal agenda? Asian culture is on the whole more conservative that Western…we see lots of this type of agenda-pushing / investigative blogging in the West, any thoughts on the Asian perspective
PT: The more conservative you are the easier it is to express yourself thru a blog where you can either remain anonymous or have an avatar. That being said, we have to understand the maturity of Asian Youths compared to Western Youths. Most Asians mature much slower and therefore take a longer time to formulate articulate thoughts on certain issues. The trend is to blog as a group and community under a topical umbrella organization eg Asia Youth Environmental Network.
BT: Youth and Digital are really the same word different – Asian youth live online and their activities in social networks, blogs, bulletin boards and forums show this. Friendster is the no 2/3 site in SEA right in Philippines, Malaysia, Indonesia and these social networking, blogging, video sites that attract the Asian youth are in the top 10 most visited sites. We at POOL always start looking at these online properties for insights on all Youth trend & community related projects that we work on.
The Internet is an important resource for all Youth not only in Asia. Its also the largest social club out there for making friends and having conversations globally. How can you beat that?
Blogs have allowed Youth to have their own personal online space for whatever they want to do, share and talk about. Asian youth are taking this platform by storm. The most visited blog in the world is a Chinese one. Actress Xu Jing Lei has over a 100 million hit in the past 2 years. A lot of communities around the world use blogs as their main websites and some use a lot of open source software as building blocks to build their own websites. Have a look at this blog that documents street culture and part of AWE50ME our creative network. www.streething.com
There are a lot of blogs that are people rambling on about their day to day personal dramas, there are more interesting one talking about their passion or hobbies and like any mass attracting platform, you’ll every kind of personalities there. I don’t really see Asians being more conservative than their western counter parts online.
FLAMINGO: With web 2.0 and the collaborative atmosphere – where consumers or “pro-sumers” are co-creating with brands (cite some global examples like NikeiD; Adicolour; ConverseOne etc), do you see any Asian brands that are doing this particularly well?
- Which ones?
- How are they doing it?
- Any country specific or region specific examples?
- Any brands that have tried and not done it so well?
BT: Tiger beer was a Asian client that I worked for in 2006. They have a collaborative platform showcasing the best creative talents in Asia to the world. I think this year they have over 150 artist collaborating with the brand. Check out http://www.tigertranslate.com/2008/
Social networks are probably best for collaboration as this as it allows multiple different like minded artist conversations to happen at a time and this is the spark that leads to brand innovation.
Collaboration seems to be the flavor of the month with a lot of brand recently from sports (with athletes) to fashion (with designers) to music (with artistes)... The only thing brands need to remember is what’s in it for everyone that collaborates with them and what is the end result they are expecting. Its the spirit of authentic collaboration and the word of mouth after that is important. Brand innovation take the brand to new spaces that they might not be ready for with their community collaborators. The best brands out there firstly listen to their collaborators and then experiment with ways to create this innovation.
PT: I wonder if brands treat collaborators as equal to them? It is obvious to the consumer if the collaboration is exploitative and so yes, many brands have tried and not done well.
Giving collaborators due respect is in order because they bring not only talent to the table but also their community of fans and peers. One bad WOM and the seed of skepticism will be planted deep into their psyche.
FLAMINGO: As an audience how pro-active are Asian consumers as compared to Western consumers? Any thoughts on this?
PT: It boils down to how you treat your consumer. Asian consumers (if not all consumers) respond well when their needs and goals are treated with the proper accordance and not used and discarded after the campaign. I believe we all look for sincerity when it comes to collaborations.
FLAMINGO: Do they co-create in the same way?
PT: Putting the right ingredients together will always make a better soup. But this soup needs to be managed by the right chef.
FLAMINGO: Are they critical in the same way?
PT: Certainly if not more critical but in a quieter way. They may not express this to the brands openly but they will certainly voice their issues with their own communities. The brand will be quietly screwed without knowing a thing.
- ENDS -
